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(New page: {{Wikipedia}} Harry Kellar (July 11, 1849 – March 10, 1922) was an American magician who presented large stage shows during the late 1800s and early 1900s. Kellar was arguably the pr...)
 
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{{Infobox person
[[Harry Kellar]] (July 11, 1849 March 10, 1922) was an American magician who presented large stage shows during the late 1800s and early 1900s. Kellar was arguably the predecessor of [[Harry Houdini]] and the successor of [[Robert Heller]]. He was often referred to as the Dean of American Magicians and performed extensively on five continents. One of his most memorable stage illusions was the levitation of a girl advertised as the Levitation of Princess Karnack. Kellar was a longtime customer of the famous [[Martinka Magic Company]]. They built many illusions for him, including the "Blue Room".
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| birth_name                = Heinrich Keller
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| birth_day                =  July 11,  
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| birth_year                = 1849  
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| birth_place              = Erie, Pennsylvania
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| death_day                = March 10,  
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| death_year                = 1922
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| nationality              = American
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'''Harry Kellar''' (1849–1922), born Heinrich Keller to German immigrants in Erie, Pennsylvania, was an American magician who presented large stage shows during the late 1800s and early 1900s. Kellar was arguably the predecessor of [[Harry Houdini]] and the successor of [[Robert Heller]]. He was often referred to as the Dean of American Magicians and performed extensively on five continents.  
  
His real name was Heinrich Keller, born to German immigrants in Erie, Pennsylvania and constantly experimented in adolescence with games of chicken and with the production of various chemical concoctions. On one occasion, young Heinrich reportedly blew a hole in the floor of his employer's drugstore and rather than confront parental wrath, he stowed away on a train and continued life as a vagabond. It was on the road that he encountered the Fakir of Ava, who inspired his direction into conjuring.
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== Biography ==
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Kellar was born Heinrich Keller to German immigrants in Erie, Pennsylvania and constantly experimented in adolescence with games of chicken and with the production of various chemical concoctions. On one occasion, young Heinrich reportedly blew a hole in the floor of his employer's drugstore and rather than confront parental wrath, he stowed away on a train and continued life as a vagabond. It was on the road that he encountered the [[Fakir of Ava]], who inspired his direction into conjuring.
  
Kellar was probably one of the most meticulous performers of his day, focusing on both his presentation and on his array of magic tricks. Aside from The Kellar Rope Tie, another highlight was The Vanishing Birdcage, an effect which he originally purchased from its inventor, [[Buatier De Kolta]] during the late 1870s, for the incredible reported sum of $750.
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Kellar was probably one of the most meticulous performers of his day, focusing on both his presentation and on his array of magic tricks. Aside from The Kellar Rope Tie, some other memorable illusions were:
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* The Vanishing Birdcage, an effect which he originally purchased from its inventor, [[Buatier De Kolta]] during the late 1870s, for the incredible reported sum of $750.
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* The Vanishing Lamp in Kellar's hands was another memorable effect. Still lit, the lamp would be covered, standing upon a glass-topped table. As the light glowed through the thin cloth, Kellar spoke of the lamp, telling the audience it was a gift from a Brahmin High Priest from India. Each evening, the lamp would be returned to its original owner at a specific time, which was approaching. A bell chimed the current hours of the day as Kellar loaded a pistol and aimed it towards the lamp. At the last chime the pistol was fired. The lamp simply melted away to nothing and vanished, the cloth falling to the stage.
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* Kellar's automaton "Psycho", which was a version of the [[John Algernon Clark]] idea used in [[Maskelyne]]'s original card-playing robot, was a popular sensation wherever it played.
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* Perhaps one of Kellar's least known advancements in magic would be his modification to the levitation illusion "Princess Karnack''. It was later purchased by [[Harry Blackstone, Sr.]] from the Kellar estate. Blackstone successfully used the illusion for many years.
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{{Youtube Thumb|XhRtdhuBccs}}
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Kellar was a longtime customer of the famous [[Martinka Magic Company]]. They built many illusions for him, including the "Blue Room".
  
The Vanishing Lamp in Kellar's hands was another memorable effect. Still lit, the lamp would be covered, standing upon a glass-topped table. As the light glowed through the thin cloth, Kellar spoke of the lamp, telling the audience it was a gift from a Brahmin High Priest from India. Each evening, the lamp would be returned to its original owner at a specific time, which was approaching. A bell chimed the current hours of the day as Kellar loaded a pistol and aimed it towards the lamp. At the last chime the pistol was fired. The lamp simply melted away to nothing and vanished, the cloth falling to the stage. Kellar's automaton "Psycho", which was a version of the [[John Algernon Clark]] idea used in [[Maskelyne]]'s original card-playing robot, was a popular sensation wherever it played. Perhaps one of Kellar's least known advancements in magic would be his modification to the levitation illusion, which as was later purchased by [[Harry Blackstone, Sr.]] from the Kellar estate. Blackstone successfully used the illusion for many years.
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With his wife, [[Eva Kellar|Eva]], was his constant assistant, especially in his [[Second Sight]] and other feats of mental phenomena.<ref>Cover, Sphinx, April 1910</ref>
  
Harry Kellar retired in 1908, and handed over the mantle of America's Greatest Magician to [[Howard Thurston]]. In 1918, Harry Houdini arranged for Kellar to perform once more for a show benefitting families of the men who died when the troop transport vessel Antilles was sunk by a German U-boat. Never one for understatement, Houdini arranged for Kellar to be carried off stage in triumph as six thousand spectators sang Auld Lang Syne. This would end up being Harry Kellar's final public performance.
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Kellar retired on May 16, 1908 with his last show at Fords Theater in Baltimore. He handed over the mantle of America's Greatest Magician to [[Howard Thurston]].  
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On November 11, 1917, Harry Houdini arranged for Kellar to perform once more for a show benefitting families of the men who died when the troop transport vessel Antilles was sunk by a German U-boat. Never one for understatement, Houdini arranged for Kellar to be carried off stage in triumph as six thousand spectators sang Auld Lang Syne. This would end up being Harry Kellar's final public performance.
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The magic tradition was carried on by his nephew, [[Frank H. Keller]], an amateur magician.
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{{References}}
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{{Wikipedia}}
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* Photo [[Genii 1951 March]]
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* Article [[Genii 1956 January]], page 201
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* [[A Magician's Tour. Up and Down and Round About the Earth]] (1886)
  
[[Category:Biographies|Kellar]]
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[[Category:Biographies]]
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[[Category:American magicians]]
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[[Category:Professional magicians]]
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{{DEFAULTSORT:Kellar,Harry}}

Revision as of 22:57, 8 October 2012

Harry Kellar
BornHeinrich Keller
July 11, 1849
Erie, Pennsylvania
DiedMarch 10, 1922 (age 72)
NationalityAmerican
CategoriesBooks by Harry Kellar

Harry Kellar (1849–1922), born Heinrich Keller to German immigrants in Erie, Pennsylvania, was an American magician who presented large stage shows during the late 1800s and early 1900s. Kellar was arguably the predecessor of Harry Houdini and the successor of Robert Heller. He was often referred to as the Dean of American Magicians and performed extensively on five continents.

Biography

Kellar was born Heinrich Keller to German immigrants in Erie, Pennsylvania and constantly experimented in adolescence with games of chicken and with the production of various chemical concoctions. On one occasion, young Heinrich reportedly blew a hole in the floor of his employer's drugstore and rather than confront parental wrath, he stowed away on a train and continued life as a vagabond. It was on the road that he encountered the Fakir of Ava, who inspired his direction into conjuring.

Kellar was probably one of the most meticulous performers of his day, focusing on both his presentation and on his array of magic tricks. Aside from The Kellar Rope Tie, some other memorable illusions were:

  • The Vanishing Birdcage, an effect which he originally purchased from its inventor, Buatier De Kolta during the late 1870s, for the incredible reported sum of $750.
  • The Vanishing Lamp in Kellar's hands was another memorable effect. Still lit, the lamp would be covered, standing upon a glass-topped table. As the light glowed through the thin cloth, Kellar spoke of the lamp, telling the audience it was a gift from a Brahmin High Priest from India. Each evening, the lamp would be returned to its original owner at a specific time, which was approaching. A bell chimed the current hours of the day as Kellar loaded a pistol and aimed it towards the lamp. At the last chime the pistol was fired. The lamp simply melted away to nothing and vanished, the cloth falling to the stage.
  • Kellar's automaton "Psycho", which was a version of the John Algernon Clark idea used in Maskelyne's original card-playing robot, was a popular sensation wherever it played.
  • Perhaps one of Kellar's least known advancements in magic would be his modification to the levitation illusion "Princess Karnack. It was later purchased by Harry Blackstone, Sr. from the Kellar estate. Blackstone successfully used the illusion for many years.

Kellar was a longtime customer of the famous Martinka Magic Company. They built many illusions for him, including the "Blue Room".

With his wife, Eva, was his constant assistant, especially in his Second Sight and other feats of mental phenomena.[1]

Kellar retired on May 16, 1908 with his last show at Fords Theater in Baltimore. He handed over the mantle of America's Greatest Magician to Howard Thurston.

On November 11, 1917, Harry Houdini arranged for Kellar to perform once more for a show benefitting families of the men who died when the troop transport vessel Antilles was sunk by a German U-boat. Never one for understatement, Houdini arranged for Kellar to be carried off stage in triumph as six thousand spectators sang Auld Lang Syne. This would end up being Harry Kellar's final public performance.

The magic tradition was carried on by his nephew, Frank H. Keller, an amateur magician.

References

  1. Cover, Sphinx, April 1910
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