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Farelli's Card Magic: Difference between revisions
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| author = Victor Farelli | | author = Victor Farelli | ||
| pub_date = 1933 | | pub_date = 1933 | ||
| publisher = | | publisher = Edward Bagshawe & Co. | ||
| subject = | | subject = Card Magic | ||
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| language = English | | language = English | ||
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}} | }} | ||
FARELLI’S | |||
CARD MAGIC: | |||
A PRACTICAL TREATISE ON LITTLE-KNOWN CARD SLEIGHTS, INCLUDING NUMEROUS NEW CARD PROBLEMS By VICTOR FARELLI | |||
Editor of | |||
"The Odin Rings.” | |||
Author of | |||
"The Master Speller" | |||
"Controlled Coincidence" | |||
"The Mystic Seven" | |||
Illustrated by Seventy-eight Photographs and Sketches, also many Diagrams. | |||
CONTENTS | |||
* Foreword | |||
* Introduction | |||
* Index of Illustrations | |||
Chapter 1 - FLOURISHES | |||
Fancy Shuffles | |||
* The Standard "Waterfall" Shuffle | |||
* The “Double Waterfall" Shuffle | |||
* The “Spring” Shuffle | |||
The Cards on the Arm | |||
* The “Throw” | |||
* The “V.F. Throw and Turn" | |||
* The “Slide” | |||
* The Mulholland “Grab" | |||
* The Back to Front “Toss” | |||
* Spreading Two Packs | |||
* The “Dart Forward” | |||
* The Weyer “Gather-Up” | |||
* An Easy Combination | |||
The “Boomerang” Card | |||
* Throwing Two Cards in Succession | |||
* Throwing Cards with Both Hands | |||
* Card Caught with Hand at Side | |||
* Throwing Two Cards Together | |||
* Catching a Card with Scissors | |||
* Addition to Cutting a Card in the Air | |||
* Loaded Card for “Boomerang” | |||
The “One Hand Drop” | |||
* The Cards to Use | |||
* The “Blindfold Drop” | |||
* The Vertical “One Hand Drop” | |||
* The “Ambidextrous” Drop | |||
Chapter 2—PASSES | |||
* The “Drop" to Cover the Pass | |||
* A Common Fault | |||
* Turning the Pack to Hide the Pass | |||
* The “Move” that Mystified Downs | |||
* Dr. Elliott’s Presentation | |||
* The Rubber Band Version | |||
* The “Weyer” Version | |||
* The Improved“ Bluff” Pass | |||
* The “Charlier” Pass | |||
* The “Veneri” Move | |||
Chapter 3-SUBSTITUTES FOR THE PASS | |||
* The “Mahatma” Substitutes | |||
* First Version | |||
* Second Version | |||
* Third Version | |||
* The Bagshawe Substitute | |||
* The “Riffle” Substitutes | |||
* Using a “Longitudinal Bridge” | |||
* Using the Veneri “Flesh” Break | |||
* The “Strip Cut” Shuffle Substitute | |||
* Eliminating the Pass for Forcing | |||
* The “Strip” Cut | |||
* “Sighting” | |||
* Shuffling to the Centre | |||
* By means of the “In-jog” | |||
* Pack Cut by Spectator | |||
* The “Continental” Cut | |||
Chapter 4—FORCING | |||
* Timing | |||
* Balance | |||
* Some “Imperfections” | |||
* Closing the Fan | |||
* Suggesting Liberty of Choice | |||
* Aggressiveness | |||
* Exposing on the Stage | |||
* The Nervous Assistant | |||
* Choosing a “Force" | |||
* A “Tip” from Spain | |||
* The Table “Spread” | |||
* A Simple Infallible Force | |||
* The Touch Method | |||
* The “Pencil” Force | |||
Chapter 5—FALSE SHUFFLING | |||
* Should Cards be Shuffled? | |||
* The Roumanian “Fan” Shuffle | |||
* The “Lace-Through” Table Shuffle | |||
* Learning the Sleight | |||
* The Interlocking Shuffle | |||
* The “Waterfall” Blind Shuffle | |||
* The Oblique Cut | |||
* The Shuffle | |||
* The “Strip Cut” False Shuffle | |||
* The “Milking” Shuffle | |||
* “Setting” the Pack | |||
* A Substitute for False Shuffling | |||
Chapter 6—PALMING | |||
* The Cards to Use | |||
* Common Faults | |||
* Curling the Forefinger | |||
* Stillness of the Arm | |||
* Spreading the Thumb | |||
* The Longitudinal Grip | |||
* The Devant “Mark-Off” | |||
Chapter 7-SECOND DEALING | |||
* The First Method | |||
* First Exercise : Moving a Pair | |||
* Second Exercise : The Withdrawal | |||
* Third Exercise : Seizing the Second Card | |||
* Fourth Exercise : The “Swing” | |||
* The Second Method | |||
Chapter 8—Miscellaneous SLEIGHTS and “TIPS” | |||
* A Link with the Past | |||
* A Clean Slip | |||
* A Little-known “Glimpse" | |||
* The Veneri “Flesh” Break | |||
* The Veneri Discovery | |||
* A General Utility “Location” | |||
* Disposal of Located Card | |||
* Suggestions A “Sucker Gag ” | |||
* Returning a Card to the “Fan” | |||
* Thumb-Counting | |||
* Crimp and Riffle Location | |||
* The Goldin Visible “Change” | |||
* The Houdini “Bluff” Change | |||
* The “Left-About” Change | |||
* To “Sight” the Bottom Card | |||
* How to “Bridge” | |||
* For the Table “Spread” Force | |||
* The Tail of the “Q” | |||
* Cards with White Borders | |||
* The Mexican Turn-Over | |||
* To Make Cards “Slippery” | |||
* Obtaining a “Stock” With a Borrowed Pack | |||
* Learning New Sleights | |||
Chapter 9—TRICKS BASED ON THE “GLIDE" | |||
* The Three Packets | |||
* The Partagas “Sell” | |||
* A Matter of Thought | |||
Chapter 10—EASY EFFECTS | |||
* Subtlety versus Manipulation | |||
* A “Close-Work” Discovery | |||
* The “Follow-Up” | |||
* The “Soo” Stripper Pack | |||
* The “Double Crimp” | |||
Chapter 11—THE CARD TO WALLET | |||
* A Strange Hallucination | |||
* Up His Sleeve | |||
* The “Sandwich” | |||
* A Double Surprise | |||
* The Original Card to Pocket | |||
* For Conjurers Only | |||
* Pure Bluff | |||
* With an Unprepared Pocket-Book | |||
Chapter 12-MORE TRICKS | |||
* The “Do-it-Yourself” Discovery | |||
* The Veneri “Turn” | |||
* Four from Five Leaves One | |||
* The “Slick” Ace | |||
* A Study in Blue and White | |||
* The “Simplex” Thirty Cards | |||
* The Floating Image | |||
* Slightly Different Presentation | |||
* An Additional Effect | |||
* History and “Invention” | |||
L’ENVOI | |||
{{Books}} | {{Books}} | ||
Revision as of 12:12, 12 November 2019
| Farelli's Card Magic | |
| Author | Victor Farelli |
|---|---|
| Publisher | Edward Bagshawe & Co. |
| Publication Date | 1933 |
| Language | English |
| Pages | 105 |
| Subject | Card Magic |
FARELLI’S CARD MAGIC:
A PRACTICAL TREATISE ON LITTLE-KNOWN CARD SLEIGHTS, INCLUDING NUMEROUS NEW CARD PROBLEMS By VICTOR FARELLI
Editor of
"The Odin Rings.”
Author of
"The Master Speller"
"Controlled Coincidence"
"The Mystic Seven"
Illustrated by Seventy-eight Photographs and Sketches, also many Diagrams.
CONTENTS
- Foreword
- Introduction
- Index of Illustrations
Chapter 1 - FLOURISHES
Fancy Shuffles
- The Standard "Waterfall" Shuffle
- The “Double Waterfall" Shuffle
- The “Spring” Shuffle
The Cards on the Arm
- The “Throw”
- The “V.F. Throw and Turn"
- The “Slide”
- The Mulholland “Grab"
- The Back to Front “Toss”
- Spreading Two Packs
- The “Dart Forward”
- The Weyer “Gather-Up”
- An Easy Combination
The “Boomerang” Card
- Throwing Two Cards in Succession
- Throwing Cards with Both Hands
- Card Caught with Hand at Side
- Throwing Two Cards Together
- Catching a Card with Scissors
- Addition to Cutting a Card in the Air
- Loaded Card for “Boomerang”
The “One Hand Drop”
- The Cards to Use
- The “Blindfold Drop”
- The Vertical “One Hand Drop”
- The “Ambidextrous” Drop
Chapter 2—PASSES
- The “Drop" to Cover the Pass
- A Common Fault
- Turning the Pack to Hide the Pass
- The “Move” that Mystified Downs
- Dr. Elliott’s Presentation
- The Rubber Band Version
- The “Weyer” Version
- The Improved“ Bluff” Pass
- The “Charlier” Pass
- The “Veneri” Move
Chapter 3-SUBSTITUTES FOR THE PASS
- The “Mahatma” Substitutes
- First Version
- Second Version
- Third Version
- The Bagshawe Substitute
- The “Riffle” Substitutes
- Using a “Longitudinal Bridge”
- Using the Veneri “Flesh” Break
- The “Strip Cut” Shuffle Substitute
- Eliminating the Pass for Forcing
- The “Strip” Cut
- “Sighting”
- Shuffling to the Centre
- By means of the “In-jog”
- Pack Cut by Spectator
- The “Continental” Cut
Chapter 4—FORCING
- Timing
- Balance
- Some “Imperfections”
- Closing the Fan
- Suggesting Liberty of Choice
- Aggressiveness
- Exposing on the Stage
- The Nervous Assistant
- Choosing a “Force"
- A “Tip” from Spain
- The Table “Spread”
- A Simple Infallible Force
- The Touch Method
- The “Pencil” Force
Chapter 5—FALSE SHUFFLING
- Should Cards be Shuffled?
- The Roumanian “Fan” Shuffle
- The “Lace-Through” Table Shuffle
- Learning the Sleight
- The Interlocking Shuffle
- The “Waterfall” Blind Shuffle
- The Oblique Cut
- The Shuffle
- The “Strip Cut” False Shuffle
- The “Milking” Shuffle
- “Setting” the Pack
- A Substitute for False Shuffling
Chapter 6—PALMING
- The Cards to Use
- Common Faults
- Curling the Forefinger
- Stillness of the Arm
- Spreading the Thumb
- The Longitudinal Grip
- The Devant “Mark-Off”
Chapter 7-SECOND DEALING
- The First Method
- First Exercise : Moving a Pair
- Second Exercise : The Withdrawal
- Third Exercise : Seizing the Second Card
- Fourth Exercise : The “Swing”
- The Second Method
Chapter 8—Miscellaneous SLEIGHTS and “TIPS”
- A Link with the Past
- A Clean Slip
- A Little-known “Glimpse"
- The Veneri “Flesh” Break
- The Veneri Discovery
- A General Utility “Location”
- Disposal of Located Card
- Suggestions A “Sucker Gag ”
- Returning a Card to the “Fan”
- Thumb-Counting
- Crimp and Riffle Location
- The Goldin Visible “Change”
- The Houdini “Bluff” Change
- The “Left-About” Change
- To “Sight” the Bottom Card
- How to “Bridge”
- For the Table “Spread” Force
- The Tail of the “Q”
- Cards with White Borders
- The Mexican Turn-Over
- To Make Cards “Slippery”
- Obtaining a “Stock” With a Borrowed Pack
- Learning New Sleights
Chapter 9—TRICKS BASED ON THE “GLIDE"
- The Three Packets
- The Partagas “Sell”
- A Matter of Thought
Chapter 10—EASY EFFECTS
- Subtlety versus Manipulation
- A “Close-Work” Discovery
- The “Follow-Up”
- The “Soo” Stripper Pack
- The “Double Crimp”
Chapter 11—THE CARD TO WALLET
- A Strange Hallucination
- Up His Sleeve
- The “Sandwich”
- A Double Surprise
- The Original Card to Pocket
- For Conjurers Only
- Pure Bluff
- With an Unprepared Pocket-Book
Chapter 12-MORE TRICKS
- The “Do-it-Yourself” Discovery
- The Veneri “Turn”
- Four from Five Leaves One
- The “Slick” Ace
- A Study in Blue and White
- The “Simplex” Thirty Cards
- The Floating Image
- Slightly Different Presentation
- An Additional Effect
- History and “Invention”
L’ENVOI