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Card Duck

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Revision as of 22:48, 29 December 2014 by Roatc (Talk | contribs) (Gwendolyn)

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The Card Duck is a comedy magic prop that finds a selected card.

The effect: The magician asks a audience member to select a card. The card is placed back into the deck. Next, the magician introduces his pet "duck". The deck is placed into a card holder that sits in front of the duck. The duck lunges forward and selects a single playing card. This card is shown to be the selection.

History

Origins traced back to Professor W. Norris, who performed at The Crystal Palace in London from 1868 to 1885. He used a model of a swan to find a chosen card. This was the predecessor of the Card Duck.[1]

Around 1932, Laurie Ireland began working on the idea, and Ireland's released "Otto the Automaton Duck" in mid-1936:

He not only reads your mind, but proves it! Spectators freely select several cards from any deck, which are immediately shuffled back into the deck. Performer does not see the cards. The deck is placed in Otto's feed box. Performer walks away and requests Otto to find the cards. Down darts Otto's head, his beak opens, and from those 52 cards he immediately bites up the first selected card and offers it for the spectator's confirmation. ... The spectator or performer takes the card, and Otto goes back on the job. A flash of bright orange beak, up again, and there's card No. 2. For the third card performer may take Otto in his hands right down in the audience to the spectator who requests his card from Otto and receives it in his own hands. This can be continued with as many cards as desired. If performer prefers he can work the entire trick in the audience. Otto is always right, never hesitates.[2]

Ireland's design became popular and was reproduced by several manufacturers under various names. Sometime later, after being told that all ducks are female, Ireland changed the name "Otto" to "Shirley."[3]

Probably the most popular version was Warren Hamilton's "Jo Ann."

Gwendolyn

The Card Duck was largely popularized by Clarke "The Senator" Crandall and his "Gwendolyn." The Senator started working on the trick with an Ireland "Otto the Automaton Duck" around 1939. He later switched to Hamilton's "Jo Ann" model, before creating his own duck, which was painted in plaid, with brightly colored feathers and a little hat.[4] Harlan Tarbell wrote in Abra about Crandall's performing "Gwendolyn" in 1951.[5]

Crandall's "Gwendolyn" was first advertised for sale in September 1961:

Gwendolyn is a duck. She finds selected cards. She's jauntily dressed and has a winning personality. She'll eat out of your hand or from an easily attached feed box. Using Senator Crandall's special routine, you'll find her winning many friends for you. In fact, you'll find that she has a close affinity with laughter. She's under your complete control and can "find" any number of selected cards. Senator Crandall's laugh loaded outine and a gayly painted and dressed Gwendolyn.[6]

The following year, Crandall started selling the special deck he used for "Gwendolyn," along with an instruction book, Senator Crandall's Duck Deck Routine.[7]

Contents:

  • Page 1 Introduction
  • Page 3 The Routine
  • Page 5 Patter and Presentation
  • Page 8 The Deck
  • Page 9 The Mini-Duck
  • Page 10 Anatomy of a Trick by Frances E. Marshall

The routine was also later published as "Crandall's Routine for the Card Duck" in the Magic, Inc. instructions for "Herbie, the Mod Duck."

References

  1. Eric Lewis, "Background to British Magic History: The Crystal Palace," The Linking Ring, Vol. 69 No. 8, August 1989, pp. 43-44
  2. Advertisement, "Otto the Automaton Duck," The Sphinx, Vol. 35 No. 7, Sep. 10, 1936, p. 179
  3. Frances Ireland Marshall, My First Fifty Years,1981, p. 21
  4. Clarke Crandall, "Introduction," Senator Crandall's Duck Deck Routine, c1970, pp. 2-3
  5. Harlan Tarbell, "Magic Mail," Abracadabra, Vol. 12 No. 299, Oct. 20, 1951, p. 204
  6. Advertisement, Genii', Vol. 26 No. 1, September 1961, p. 44
  7. Advertisement, "Senator Crandall's Card Duck Deck & Routine," The New Tops, Vol. 2 No. 11, November 1962, p. 37